Total Eclipse 2005

Follow Your Heart | Untitled | Pipe Painting | “Rasen” -draw into swirl | Fake Beauty | Lostlosslosslost

Naoki Iwakawa

CAVE Gallery Exhibit

“Total Eclipse 2005” was an exhibition at CAVE curated by LEIMAY’s Artistic Co Director and interdisciplinary artist Shige Moriya, featuring paintings and installation by Naoki Iwakawa in the main studio.

Additional works featured were “Follow Your Heart,” a collaborative installation by Drew Ford & Yeon Jin Cho in Studio S, “Untitled,” a painting by S.Q. Yoko in Studio N, “Pipe Painting,” by Eva Ullrich in the Corridor, “‘Rasen’ -draw into swirl,” a mixed media installation by Shiho Kondo in the Corridor, “Fake Beauty,” multidimensional painting by YOYOYOGASMANA in Studio Y, and “Lostlosslosslost,” a mixed-media installation by Hiromi Iuchi in Studio H.

“Follow your heart”, is a collaborative installation by Drew Ford & Yeonjin Cho Child-like drawings and paper sculpture surround an outline of two people on a bed of white. Red liquid drips down upon each outline, defining the space of the heart. As the liquid drips the heart grows. Follow Your Heart is a simple statement about life as seen through the imagination of a child.

“Follow your heart”
drop by drop…
step by step…
listen to the voice of your heart.
why don’t you realize your heart is more clever than your head…? kekeke~~

Lostlosslost

I lost my way when I was walking down small alley. Then I met wounded kitten drinking milk; One drop of blood fell and turned color of milk, pink. When I saw her small red tongue licking pink milk, I felt like I can never go back to where I came from.
(I whisper to my self): “Let’s trip with me…!”
I grabbed her and run through pink sunset town, from one unknown place to even more unknown places. See? Never able to go back.

“Rasen “ 2005  Mixed Media Installation : “Once you step into this swirl, you cannot get out. If you are in the middle of the swirl, you cannot go back to the surface, and you become a part of it”
– Shiho Kondo.

“Fake Beauty” Performance Installation, 2005

People seem always be interested in viewing the bad sides of other people, and they are not interested in their positive sides instead. It is also my firm belief that people have the ability to cheat, exploit and even hurt other people. On the other hand, people have a conscience that leads them to goodness. Our consciences categorize our behavior of hurting and exploiting others as bad inappropriate behavior, as evil one. This kind of bargaining between these two sides (the polar opposites of good and bad) has been a basic foundation of relationships among people. History has pointed out that there have been many moments when people proved to be releasing their evil side, their dark side. It is war. War is the organization of the human capacity to hurt and destroy others. These facts imply that collectively people can create evil deeds and actually, at the same time, they can also create the opposite.

PIPE PAINTING
Paintings 2005

Eva Ullrich’s purpose as an artist is not to please, rather to confuse the viewer with her somewhat disturbing and awkward images. She shows provocation and crudeness by intertwining references from her ideas, emotions and life experience. She adds images of industrial pipes in each piece as a symbol of connection. They emphasize her idea that everything and everybody in this universe is inevitably connected. She sees no need in holding on to one particular manner of painting, and does not believe in terms such as “realistic” or “abstract” to describe her work. The primitive drawn icons in her work reveal the influence of working together with small children in the arts. To the observer, it may seem odd that some areas are completely untouched, whereas others are obviously “overdone”. She abruptly stops when she feels the painting is complete and not necessarily when it looks finished. The psychological impact of experiencing her work shows the strength of her rebellious nature. The unusual idea of the Pipe Painting series is amusing and contains a good amount of satire.

From 1996-2006, the gallery at CAVE showed the work of over 300 artists becoming a locus for experimentation in all mediums. CAVE Gallery began in the mid-90’s as a venture of Shige Moriya along with other artists including Grande, and Naoki Iwakawa, and furthered by LEIMAY’s Co Director, Ximena Garnica. Fostered from an industrial rental, they transformed the 3,000 sq. ft. garage into a live-work space, which was considered to be one of the first recognized galleries of the Williamsburg neighborhood of Brooklyn.  Away from heavy commercial pressure, in an environment that supported exploration, artists were able to present their work during month-long exhibitions. In addition to studio arts, openings often included music and other kinds of performance.

Flyers & Postcards Gallery
Postcards
Postcards
6 photos

Object Identifier

AMP.PRG.2005.2004

ID number

2058

Year Created

2005

Performance dates

Array

Language

English

Curated Filters

Space / Location

Premiere Venue

CAVE
11/19/2005 - 12/18/2005
58 Grand St Brooklyn, NY 11249

Premiere Venue specific dates

      Studios