On Frantic Beauty 

Jane Chin Davidson, “Dance that Searchs for Beauty and Fights For it”, Hypeallergic, May 14 2019     

Marylnn Wei, “The Primordial Becoming of Ximena Garnica and Shige Moriya’s Frantic Beauty”, Huffington Post, September 16 2017 

Ivan Talijancic, “Bodies on the Edge: Ximena Garnica and Shige Moriya’s Becoming Pentalogy”, Howlround, October 20, 2017

Carrie Lee O’Dell, “Frantic Beauty, BAM Fisher, NY” ReviewsHub, September 18, 2017

Erin Bomboy, “IMPRESSIONS: LEIMAY’s Frantic Beauty at Brooklyn Academy of Music’s Fisher”, Dance Enthusiast, September 19, 2017 

 Leah Richards and John Ziegler, “What is Beauty?”, CultureCatch, September 19, 2017 

Emily Cordes, “Frantic Beauty”, Theatre Is Easy, September 16, 2017 

 Marcina Zaccharia, “Exquisite Growth in “Frantic Beauty”, The Theatre Times, September 30, 2017 

Jonathan Matthews “Performing Arts Dance: LEIMAY”, Eye on Dance, September 2017

On Becoming-Corpus

Carol Martin, Richard Schechner, “The Illumination of LEIMAY’s Becoming Corpus”MIT Press Journals – TDR: The Drama Review Fall 2014, Vol. 58, No. 3 (T223), August 14, 2014. 169-174.

Christine Jowers, “ LEIMAY’S ‘Becoming-Corpus’ premieres at BAM FISHER Sept 12th-15th, 2013 (DanceUpCloseVideo)”, The Dance Enthusiast, August 30th, 2013.  

Deirde Towers, “Impressions of: LEIMAY’s ‘Becoming-Corpus”, The Dance Enthusiast, September 22nd, 2013.

Brian Seibert, “Exploring Topography in Varied Skins and Tones: ‘Becoming-Corpus’ Includes Dance and an Art Installation”, The New York Times, September 13th, 2013.  

Henry Baumgartner, “LEIMAY’s ‘Becoming-Corpus’ at BAM Fisher”, The New York Theater Wire, September 15th, 2013. 

On Qualia-Holometaboly

Siobhan Burke, “Choose Your Own Rhythm: The BEAT Festival Returns to Brooklyn”, The New York Times, September 14th 2014.  

On Thresholds

Erin Bomboy, “Impressions of: The BEAT Festival’s ‘Crossing Over’”, The Dance Enthusiast, September 22nd, 2014.  

Franklin Mount, “Crossing Over: A Performance-Adventure in Greenwood Cemetery  – Review”, Sensitive Skin Magazine, September 2014. 

 Siobhan Burke, “A Burial Ground Doubling as a Stage: ‘Crossing Over,’ a Performance in Green-Wood Cemetery”, The New York Times, September 15th, 2014.  

 Sarah Larson, “Alive in Green-Wood Cemetery”, The New Yorker, September 15th, 2014.

On Floating Point Waves

Amanda Keli, “Floating Point Waves: Leimay at HERE, NYC”, April 10th, 2012.  

Susan Miyaki Hamaker, “Down Your Senses in ‘Floating Point Waves’”, JapanCulture-NYC, April 9th, 2012.  

Cat Gilbert, “FLOATING POINT WAVES AT HERE”, The 22 Magazine, April 10th, 2012.   

 On A Timeless Kaidan

Henry Baumgartner, “The New York Butoh Festival Rides Again”, The New York Theater Wire”, November 8th, 2007.