“I would say that this type of work is developed on two levels: the first, given by the strong image that is created, is the first impact that hits the public. These almost alien beings, despite being perfectly recognizable as human bodies, which are found inside this showcase, like observatory animals, that try to stand upright but are punctually dragged by the sand to the bottom, certainly generate a strong emotion for the spectator, along with a whole series of reflections that are not “explained” and are not didactic. The second level is from the inside perspective: the dystopian environment definitely requires a great deal of psychological concentration and physical control, but it is equally interesting because it connects you to a more intimate self. It is very easy to slip into memories and feelings that belong to a life that we often forget in our daily routine. Personally I refer to my childhood and to the relationship with the earth, with sand. In all this the use of the voice increases the distance with respect to reality, using words that do not exist and enhancing this “alien” effect. In essence, an experience for those who assist and those who participate that’s unique.”