“The second piece, Vooja Day, started out comedically, with Mr. Fuller, wearing a large rubber head on his shoulders and huge padded genitals, pecking out from behind the curtain before coming on stage. His musicians, a percussionist and an accordionist not only elicited alternative sounds from their instruments, they eschewed using any of the usual sounds at all. Mr. Fuller’s piece, too, used exploratory techniques to try to find, in front of us, whatever it was he wished to accomplish. He found some humorous moments using his costumes, but on a conceptual, choreographic level, there was no sustained relationship between his costume and the movements.”
– R.Pikser, ‘First New York Butoh Festival’, The Arts Cure, 2003
