“In “Eros and Thanatos,” the masterly Daisuke Yoshimoto followed a ragged red ribbon from the back to the front of the stage. Covered in white paint and naked except for a thong, his taut body bent double, he walked in painstaking, tremblingly slow fashion. When he finally rose, his long gray hair fanned around his wild, heavily made-up eyes, and his body became a heaving, hyperarticulated landscape shifting against jarringly spliced music. It was easy to forget that this spooky, otherworldly creature was human.”
– Claudia La Rocco, “Plumbing the Depths in Vast Inner Landscapes”, The New York Times, 2005
