“In ‘Quick Silver,’ Mr. Murobushi does indeed show an extensive ability to move extremely slowly or extremely fast, to hold a position for a length of time and then change it by infinitesimal motion. And he conforms to other notions about Butoh: for much of the solo he is almost naked, his body and head covered in light gold paint; his physical presence seems more animal than human, any vestige of personality stripped to something more elemental.”
– Roslyn Sulcas, “Japanese Form Mixes Discipline and the Elemental”, The New York Times, 2009