“The training proposed by LEIMAY is very interesting because it works on a fundamental aspect when we talk about contemporary art. In my opinion being able to recognize the artistic work as belonging to the universe of the game and therefore giving it two main connotations (the focus, the play for the purpose of playing, as an act of joy, and the LUDUS, the participation inside of a series of rules to success) becomes important when we define a performative act. The type of work proposed by LEIMAY has a very strong physical component, moving from the concrete control of your body to the enhancement of the imagination by abstracting the body itself. I remember as a moment of great frustration and fun the training that led us to imagine ourselves as very large and then very small, then to transform ourselves into a flower and go through various forms, opening and closing ourselves, until we drive an imaginary bicycle; all this always leaning only on one point of the basin. A great effort that helps to explore limits that normally would not be faced. Obviously everything that is dealt with in the training is perfectly consistent with the performance experience of LEIMAY.”
– Alessandro Anglani, LUDUS Participant, 2019